You can read the first part of my Worldcon write-up here.
By now I had turned into one of those Worldcon weirdos who has a load of ribbons hanging off their name badge. These magic charms did not protect from the ministry of Satan, whose works meant that I failed to rock up to the Convention Centre in time for any 10.00 a.m. panels. Instead I tried to attend a panel in Point Square on The Continuing Relevance of Older SF (with the programme notes including works by Margaret Atwood as an example of what was going to be covered, which seems a bit strange as although Atwood is old she is a currently active writer whose latest SF novel is about to hit the shelves). However the room was full before I got near it, perhaps because the panel included both Robert Silverberg and Joe Haldemann, so I skipped off to another academic session (good iron law for Worldcons: you can always get into academic sessions and they are always worth attending). This saw Peter Adrian Behravesh looking at depictions of empowered women in the Persian fantastic, which was interesting but I did note that he was talking more about mythic tales than actual fantastic literature, for all that he was referring to written versions of the tales that named people had written in historical times. An interesting discussion could perhaps be had on where myth ends and fantasy literature begins.
The session also included a presentation by Katja Kontturi (the Ducktor), whom I had seen previously in Helsinki. Her thing is postmodernism in Disney comics, which are very popular in Europe generally and Finland in particular. European publishers produce their own Disney comics with minimal oversight from Disney’s central command, and some of these comics go in pretty strange directions. In Helsinki I remember her talking about a comic in which the characters start being attacked by the strip’s narration panels; here she discussed Mickey’s Craziest Adventures, which was published in 2016 but purported to be a reproduction of a tattered copy of a previously lost comic from 1965 found in car boot sale. The book sees Mickey Mouse and his pals enjoy the kind of adventure more commonly seen in the weirdo underground comix of that era. The description reminded me somewhat of Alan Moore’s 1963, while in some ways being more completely mental. I also found myself thinking of how surreal British kids comics could also be (and perhaps still are), which I think is something they could get away with because children have far less sense of the “normal” way a narrative should work.
A long stint thereafter on the Point Square information desk thereafter sapped my energy and left me unable to attend any further programme items. If you are one of the ten thousand people who came to the information desk asking where the Alhambra or Stratocaster rooms where then perhaps it was I who with a world weary sigh directed you out to the nearby Gibson Hotel. That these rooms were not in the Odeon complex but in the almost adjacent hotel was not something highlighted in the programme, so Worldcon attendees understandably found all this a bit confusing.
Late on Friday afternoon I was freed from the information desk and had a bit of a look at the Odeon art show, which had a lot of nice stuff. However I am not really in the market for original art and do not fully trust my own taste in that regard, so I did not put down any bids for the works, though I must admit I was tempted to throw down the five figure sum being sought for the original of the cover of one of the Gollancz SF Masterworks editions of Philip K. Dick. I then wandered back to the CCD and had my picture taken in my Unknown Pleasures t-shirt next to a poster showing the uninverted image. I was a bit surprised to not see anyone else wearing that t-shirt at the whole con. OK, I know most SF fans are not mad into post punk bands like Joy Division, but the image does show transmissions from the first pulsar known to humanity, the one discovered by guest of honour Jocelyn Bell Burnell when she was a PhD student. I was wearing the t-shirt to honour her (and because Unknown Pleasures is awesome and came out 40 years ago this year) and thought more people would do the same, but they did not.
Perhaps coincidentally, Friday evening saw me sneak away from SF fandom completely to instead hang out with music fan buds who like me are members of Frank’s APA, the amateur press association for people who like music. However sacred vows of secrecy oblige me to keep to myself the astonishing occurrences that happened during our meeting.
Keep coming back to Secret Panda for more Worldcon action real soon!
Mickey’s Craziest Adventures image source (Duck Comics Revue)